Date of Birth: 12 December 1941, Troy, New York, US
Birth Name: Timothy DuPron Hauser
Nicknames: Tim Hauser
Tim Hauser, was a founder-member of the vocal group the Manhattan Transfer, a four-part harmony ensemble which has survived for more than 40 years virtually without a break.
First formed in 1969 by Hauser (a one-time market researcher who worked on the Pepsodent toothpaste account) and three friends, Manhattan Transfer’s cool elegance and nostalgic aura enthused audiences in the 1970s, when they became one of New York’s most popular live acts.
Among the venues they played in those days was the Continental Baths, a gay bathhouse in the basement of the Ansonia hotel which included a disco, cabaret lounge, sauna rooms and swimming pool. In the late 1960s and early 1970s the Continental Baths featured a host of famous entertainers, among them the Andrews Sisters, Tiny Tim and Bette Midler (known as “Bathhouse Betty”, and sometimes accompanied on the piano by Barry Manilow dressed only in a white towel). Manhattan Transfer went on to produce a string of hits and win 10 Grammies, and continued to record and tour into the new millennium.
Timothy DuPron Hauser was born on December 12 1941 in Troy, New York. When he was seven, his family moved to New Jersey, and he was educated at St Rose High School in Belmar. Music was his governing passion from childhood, and at the age of 15 he founded a doo-wop vocal quintet called the Criterions which recorded two singles for the Cecilia Label, I Remain Truly Yours and Don’t Say Goodbye. They also performed at many R&B revues and record hops around New York, appearing alongside Dion and the Belmonts, the Elegants and the Heartbeats. When he was only 17, Hauser produced Harlem Nocturne for the Viscounts, which reached No 3 on the Billboard chart in 1959.
At Villanova University, where he read Economics, Hauser sang in a folk group called the Troubadours Three, joined the Villanova Singers and also worked on the college radio station. After serving for a year (1964) with the US Air Force, he became a market research analyst with a New York advertising agency where his accounts included Pepsodent and Micrin mouthwash. From 1966 to 1968 he managed the market research department at Nabisco’s special products division, working mainly on cereals and pet foods.
Music, however, remained his true calling, and in 1969 he formed the first version of the Manhattan Transfer (named after John Dos Passos’s novel of 1925) with Gene Pistilli, Marty Nelson, Erin Dickins and Pat Rosalia; but after recording only one album, Jukin’, in the early 1970s they broke up after disagreements about future musical direction; Hauser wanted to take the group towards jazz and swing.
And there the story might have ended, as Hauser found himself working as a New York taxi driver. But one night in April 1972 he was flagged down by Laurel Massé, a waitress and would-be singer who admired the Manhattan Transfer having seen them perform at Fillmore East. They stopped for coffee and discussed music, and arranged to meet again. Shortly afterwards, again on his taxi-driving shift, Hauser picked up the conga player for the group Laurel Canyon, who invited him to a party at which he met Janis Siegel (a member of Laurel Canyon).
Hauser, Janis and Laurel Massé decided to re-form the Manhattan Transfer, and recruited as their fourth member Alan Paul, who was appearing in the Broadway production of Grease. The group was launched on October 1 1972.
Within two years Manhattan Transfer were performing regularly in New York City, at venues such as Trude Hellers, the Mercer Arts Center and Club 82, as well as the Continental Baths. In 1975 they were signed to Atlantic Records by Ahmet Ertegun, releasing an eponymous album in the same year; a single from the album, a remake of the Friendly Brothers’ gospel classic Operator, gave the group their first national hit. The group was soon invited by CBS to host a weekly show, on which Bob Marley and the Wailers would make their first US television appearance. Their next two albums, Coming Out and Pastiche, generated a string of Top 10 hits in Europe, and a No 1 in Britain and France with Chanson d’Amour.
In 1978 Cheryl Bentyne replaced Laurel Massé, who had been injured in a car accident and had decided to pursue a solo career. The first album featuring the new line-up, Extensions (1979), included Birdland, which was to become the group’s anthem. In 1981 Manhattan Transfer became the first group to win Grammy Awards in both the pop and jazz categories in the same year . The group has continued to record and tour, and in 2000 they released a tribute album to Louis Armstrong, The Spirit Of St Louis.
Hauser worked as a producer as well, and in 2007 he released a solo album, Love Stories.
Away from music, he enjoyed collecting and restoring classic cars; he also launched a brand of tomato sauce.